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(click on image for larger view)

Constellation 76" x
45" oil on linen 2008
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 Choker 19" x
29" oil on linen 2008
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 Ivy 60" x
72" oil on linen 2007
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 Grove 40" x
70" oil on linen 2007
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 Big
Water 45" x
76" oil on linen 2006
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 Ice 15" x
27" oil on linen 2007
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 Tutu 66" x 46" oil on linen 2005
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 Little
Birds 74" x
35" oil on linen 2006
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 Tow 12" x
40" oil on paper mounted on board
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 Disunite 12" x
40" oil on paper mounted on board
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 Long
Splice 12" x
40" oil on paper mounted on board
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 Overlook 28" x 40" oil on linen
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 Tattoo 50" x
52" oil on linen
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 Circus 36" x
26" oil on linen
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 Treasure 56" x
50" oil on linen
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 Lift 26" x
45" oil on linen
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 Gold 30" x
19" oil on linen
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 Swallowtail 19" x
30" oil on linen
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 Nightfall 30" x 19" oil on linen
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 Moth 30" x
20" oil on linen
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 Flicker with Companion 20" x 15" oil on linen
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 Bluejay Flicker and Guardian 16" x 20" oil on linen
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 Flicker 16" x 20" oil on linen
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 Warren Lake 62" x 89" oil on linen
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 Hoops 6
1/2 " x
19 1/2 " watercolor on paper
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 Tree
Inside 6 1/2 " x
19 1/2 " watercolor on paper
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 Stretch 6" x
14" watercolor on paper
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 Float 7 ½" x 7 ¼" watercolor on paper
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 Hover 16 ½" x
9 ¼" watercolor on paper
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 Stack 10 ½" x
6 ¾" watercolor on paper
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I have always been awed
and inspired by the mystery and amorality of nature. My paintings deal
with carefully selected subjects from my observations, visions,
and experiences with the natural world. In the most recent decade,
creatures living and dead, have entered into my images. Birds, butterflies,
insects, and mammals have become part of the scenes
that haunt my thoughts. I investigate the kinship between my envisioned
nature and it's inhabitants and their physical and spiritual machinations
and intrigues. I see the natural world filled with both unconscious
and symbolic rituals and phenomena. My paintings are meant to give
insight into this often unseen world. Creatures become a liaison between
our natural world and our human world and imply a kinship to human
experience.
I paint with thin oil
glazes, directly applied, layer upon layer onto a stretched linen
ground. Even though this is a slow and sometimes tedious method,
I have found this technique to be a good way to work as it allows
me to effectively translate my subjects and physically
construct the elements in my paintings, adjusting and building
the images, giving veracity to what could be conceived as unbelievable
content. Oil glazing tends to create a mirror-like
surface that can produce a luminous depth and at the same time
shows the history of the making in the surface of the painting
- a 'plastic' effect that I enjoy working with that allows a painting
to engage the viewer in an abstract and formal way upon close
inspection.
Download Artist Bio
Holly Sears' work has been in
solo exhibitions at Metaphor Contemporary Art (Brooklyn, NY),
in 2007 & 2003,
Joyce Goldstein Gallery (Chatham, NY), Ruth Siegel Gallery
(New York City), Anderson
Gallery (Richmond, Va.),
and Richmond Artist's
Workshop (Richmond, Va.).
Group exhibitions include Art Gate Gallery (NYC-Chelsea), Art in Embassies Program, U.S. Department of State, Tel Aviv
from 2006-08,
multiple shows at Metaphor
Contemporary Art (Brooklyn,
N.Y.), Wave Hill Glyndor Gallery
(Bronx, NY), Joyce Goldstein Gallery (Chatham,
NY), Edward Hopper House
(Nyack, NY), Kenise Barnes Fine
Art (Larchmont, NY), The Gallery
at Pfizer Learning Center (Rye
Brook, NY), Bergen Museum of Art
and Science (Paramus, N.J.),
Marymount Manhattan Gallery
(New York City), Ruth Siegel
Gallery (New York City),
Churchman Fehsenfeld Gallery
(Indianapolis, Ind.), Herron
Gallery (Indianapolis, Ind.),
Virginia Museum of Fine Art
(Richmond, Va.), Fayerweather
Gallery (Charlottesville, Va.),
and A.R.T.S. Gallery (New
York City). Her work is in the
collections of the Bank of America, Sidney and
Frances Lewis of Richmond,
Va., American Telephone
and Telegraphy, Illinois and
numerous private collections.
Sears has lived and worked in Brooklyn, NY since 1985.
For information or inquires about paintings or availability, contact
the artist.
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